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Are Scary Movies Grossing Us Out?

What right-minded, mature woman’s idea of date night is to binge-watch horror movies? I emphasize mature (or senior women, if you prefer), not teenagers and young adults because many in the latter group enjoy blood and gore films. Granted, some older folks do, too, but I prefer dramas, romance, or a good action flick over a gruesome horror show.

My tolerance for scary movies began to wane decades ago when moviemakers decided that scaring viewers half to death wasn’t enough. Instead, they started blitzing us with enough blood and guts to make you holler for your mama. Psycho spooked me. Rose Mary’s Baby sent shivers down my spine, and Freddie Krueger cost me many sleepless nights. When I discussed this subject with my daughter, who I consider a connoisseur of movies, she reminded me that the Nightmare on Elm Street films had plenty of bloodletting by the razor-handed villain. Okay, scratch that one from the scary minus the bloodletting group. Still, there is no denying that horror movies have progressed from extremely frightening to highly gruesome. Nothing is off-limits, meaning anything goes.

As I was saying, recently, against my better judgment, I binge-watched the Final Destination films with my SO. Afterward, when I told my daughter, she said, “Mom, those films are old.” Then, I reminded her, “So are we. We catch up when we can.”

For my readers who haven’t seen the Destination films, the theme is about people cheating death – or so they think. I am not exaggerating when I say the death scenes are disgusting. After watching the first four movies (I know – I can’t believe I made it through them either) and needing a break from seeing bodies beheaded, crushed, and disemboweled, we decided to hold off on watching Destination 5 for a few days.

A week later, we watched number 5. I admit the screen watched more of me than I did it because, as I often do, when I anticipate gore coming, I covered my eyes or turned my head. And, to my surprise, even Mr. Macho SO found some sights horrifying. I know this because on a couple of occasions, when I refused to look at the screen, he shrieked, “Whoa! Oh, my God,” and I know his scream had nothing to do with pleasure.

Folks in the film industry who rate movie popularity claim a vast audience for pictures depicting horrific incidents of physical violence and psychological terror. Hollywood seems so hooked on including unpleasant occurrences in movies, including those not in the horror genre, that nearly every film is likely to show at least one repulsive scene. Think about it. How often have you been watching a drama or side-splitting comedy when, as if the director decided that the movie was too clean, a character pukes? Who wants to see that? Not me.

My SO suggested that movies like Final Destination should be rated G for gruesome. I reminded him that there is already a G category. According to the MPFA (Motion Picture Film Association), there are currently several categories of films based on content. Those are rated as follows, with my slightly inflated descriptions.

G – General audiences. Come on. Come all. Everybody’s admitted.

PG (for parental guidance) and PG-13 – These films could have some moderate violence and mild sex scenes that you may wish your preadolescent darling had not witnessed.

R – Restricted. Under 17 must bring a parent or adult guardian. In addition to disturbing violence, films in this category may contain risqué sex scenes. Call me prudish, but at my age, I’ve grown tired of seeing naked people on screen sucking faces and booty bumping. However, I prefer implicit sex scenes over murder and mayhem.

NC17 – means no one under 17 is admitted (even if you drag along an adult).

M – for mature audiences. These extreme films show butchery, intense violence, and torture. Reportedly, some movies in this category are so shocking that viewers have been known to faint or vomit. Films like Raw, Martyrs, or We Are the Flesh are a cup of blood for anyone inclined to the macabre. I’ve never watched them, and I won’t, but I read that some scenes include cannibalism and excessive torture. So viewers are advised to skip the popcorn and the cherry Slurpee!

I think people who enjoy overdosing on psychologically disturbing films have one foot on the dark side, but that’s just me. An article on Health.com expresses a different opinion of people who enjoy having the devil scared out of them.

In the meantime, I thought of a category for films depicting grisly scenes. How about DG (D-disgustingly G-gross)?

I don’t care how filmmakers categorize them because I’m done with horror films. I find them as repulsive as a urine-soaked floor littered with wads of toilet paper in a gas station restroom. Picture that. On second thought, don’t!

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The Way We Were

Barbra Streisand and Robert Redford were on Oprah today.  It was their first interview together, 37 years after starring in the classic film The Way We Were.  

For my two cents, today’s program proves that Oprah did not exaggerate when she said that this – the final year for her show – would feature the best programs she has ever broadcast.  When the show goes off the air in 2011, there will certainly be a huge void left by a quality program that is as equally entertaining as it is informative. 

But back to today’s show.  As Oprah interviewed the two stars, scenes from their 1973 romantic/drama were being projected in the background, reminding viewers like me that The Way We Were was, and always will be, one of my favorite tearjerker films.  And the sound track — OMG!    

I own numerous Streisand CDs, several of them include Barbra belting out the title song.  And I am suddenly reminded that I should probably upgrade my VHS copy of the movie to a DVD.  Barbra failed to win the Best Actress award for which she was nominated for that film, but The Way We Were took the Oscar for the Best Music/Original Song.  

If you are a boomer and you never saw the movie (Where the heck were you? There are only two acceptable excuses for you not seeing it – you were among the last U.S. soldiers in Vietnam or you were in jail stateside for social protesting.).  So, if you didn’t see the film back in the day, then rent it and weep.  You will see why it won two of the six Oscars for which it was nominated and numerous other awards, and why baby boomers, particularly women, loved the film.  If you saw it, see it again for old time’s sake.  It will help you remember The Way We Were when the world was a safer, saner, and more civil place.

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A Blast From The Past For Colored Girls

Sometime during the 1970’s, I saw Ntozake Shange’s feminist era play for Colored Girls Who Have Considered Suicide When the Rainbow is Enuf (sic). The production had an impressive run on Broadway and won a Tony award.  Because of my familiarity with the play, I decided that I had to see Tyler Perry’s movie, because I could not for the life of me figure out how he could dramatize a play comprised primarily of women reciting poetry and create a quality dramatic production. Well, OMG!  I saw the movie and cannot stop saying OMG!  My high-spirited reaction could be the result of having seen the play and being familiar with the script.  Anyone who did not see the play might have a less enthusiastic reaction and they might not understand that some of the lengthy monologue spoken by several of the women in the movie is stanza straight out of the play. But I think that any mature woman who goes to see the movie whether or not she saw the play can definitely relate to some of the characters or knows someone who is like one of the women. Many props to Tyler Perry.  The New York Times review referred to Tyler’s film as “a thunderous storm of a movie.” It is Tyler’s  best movie yet. Two thumbs up for him.  He pulled it off in a big way.

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